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Nicolas Poussin Triumph of Neptune and Amphitrite (mk08) oil painting


Triumph of Neptune and Amphitrite (mk08)
Painting ID::  21450
Nicolas Poussin
Triumph of Neptune and Amphitrite (mk08)
1634 Oil on canvas, 114.5x146.6cm Philadelphia,Philadelphia Museum of Art

   
   
     

Nicolas Poussin Landscape with Three Men (mk08) oil painting


Landscape with Three Men (mk08)
Painting ID::  21575
Nicolas Poussin
Landscape with Three Men (mk08)
c.1645-1650 Oil on canvas,100x130cm Madrid,Museo del Prado

   
   
     

Nicolas Poussin Midas and Bacchus (mk08) oil painting


Midas and Bacchus (mk08)
Painting ID::  21576
Nicolas Poussin
Midas and Bacchus (mk08)
c.1630 Oil on canvas, 98x153cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

   
   
     

Nicolas Poussin E-cho and Narcissus (mk08) oil painting


E-cho and Narcissus (mk08)
Painting ID::  21577
Nicolas Poussin
E-cho and Narcissus (mk08)
c.1627/28 Oil on canvas, 74x100cm Paris,Musee National du Louvre Echo and Narcissus (mk08)

   
   
     

Nicolas Poussin Moses Trampling on the Pharaoh's Crown (mk08) oil painting


Moses Trampling on the Pharaoh's Crown (mk08)
Painting ID::  21578
Nicolas Poussin
Moses Trampling on the Pharaoh's Crown (mk08)
1645 Oil on canvas 99x142.2cm Woburn Abbey,Duke of Bedford collection

   
   
     

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     Nicolas Poussin
     French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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     | Nicolas-rene jollain | Herman Saftleven | DOMENICO DI MICHELINO |


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